ERIC KHOO.

film director. producer.

instructions to build a world: a sixties-imbued blueprint for compassion and culture.

As a filmmaker, my life is obsessed with the meticulous construction of realities, albeit on screen. I craft story-scapes, shape narratives, and guide human interaction within a framed existence. Yet, the opportunity to contemplate building a real world, a lived experience, shifts the focus from depiction to manifestation. And the world that immediately springs to mind, the one I find myself yearning to construct, is a beautiful, artistic, retro Sixties-imbued haven – a realm where the air is thick not with tension, but with pure Nirvana, sheer bliss, and an overflowing, almost radical, compassion.

Imagine it: a world bathed in the warm, optimistic glow of the Sixties, yet stripped of its societal anxieties and prejudices. Visually, think clean lines, vibrant and muted colours, the comforting presence of natural materials, and a harmonious blend of form and function. It’s a living, breathing environment designed for human flourishing. The architecture encourages connection – open-plan spaces in homes, communal gardens, and public squares that invite lingering and spontaneous interaction. Transportation is elegant and unhurried, with less emphasis on cars, allowing for a slower pace that encourages observation and appreciation of the idyllic surroundings. To maintain a cool climate, we explore strategically air-conditioned public spaces like walkways, parks, and community hubs to offer respite from the humidity.

But the true instruction in building this world lies not in the physical structures, but in the cultivation of its emotional and social climate. The absolute cornerstone is the absence of hate and the pervasive presence of compassion. How do we build this? It begins with a conscious, collective social contract to prioritize empathy and understanding in every interaction. Media, including the films I would make in this world, would celebrate acts of kindness, explore the nuances of human emotion, and actively deconstruct the roots of prejudice. In this environment, social media will slowly but surely lose its relevance in a new age of shared community.

In this world, the arts are the very foundation of daily life. Films flicker in independent cinemas adorned with classic marquees, their narratives exploring themes of connection, creativity, and the gentle comedy of human existence. Music drifts from open windows – perhaps classic Sixties pop (like The Beach Boys and Burt Bacharach) or film soundtracks (think: Michel Legrand and John Barry) – and live performances are a regular occurrence in parks and plazas. Art galleries are accessible and inviting, showcasing works that inspire awe, provoke thoughtful dialogue, and reflect the shared human experience. These artistic endeavors are not driven by commercial imperative but by an innate desire to express, connect, and elevate the spirit.

Social interaction finds its purest expression in the Edward Hopper-esque bars and the fantastic hawker stalls. Picture those bars: intimate spaces bathed in a warm, ambient light, where conversations flow easily over a dry martini. Or two. These are havens for genuine connection, quiet contemplation, and the sharing of ideas. The solitude often present in Hopper’s work is transformed not into isolation, but into a comfortable space for observation and peaceful coexistence. The fantastic hawker stalls, on the other hand, represent a vibrant, sensory hub of community. The aroma of diverse, delicious foods fills the air, and the act of sharing a meal, often at communal tables, becomes a fundamental social ritual.

Building this world requires a shift in our appraisal of value. Success is not measured in capital accumulation, but in the richness of our relationships, the depth of our creative expression, and the widespread experience of joy and well-being. People-facing businesses in this world are genuinely people-centric. Their purpose is to serve the community, to provide goods and services that enhance lives, and to foster connection rather than simply maximize profit.

Could such a world exist? Is it a naive, idealistic fantasy? Probably. But the exercise of imagining it, of laying down these instructions, highlights what we value most in our interactions, our communities, and our lives. It suggests that the ‘business’ of building a truly flourishing world is not about complex economic models or technological advancements, but about the fundamental human choice to lead with compassion and to prioritize the shared experience of beauty and connection.

This Sixties-imbued dream world, with its artistic heart, its compassionate soul, and its vibrant, people-centric spaces, offers a blueprint. It’s a reminder that the most impactful instructions for building a world are not found in brick and mortar, but in the shared values and intentions of its inhabitants. It’s a world we can begin to build, not in some distant future, but in our interactions, our choices, and our collective aspirations, starting today.

Cultivate kindness within, and watch the beautiful world rise around you.

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ERIC KHOO.

film director. producer.

instructions to build a world: a sixties-imbued blueprint for compassion and culture.

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